Creator: Liklik MediaRelease Date: Wednesday June 10th, 2026Cast: Nellie Seta, Joseph Paul, Angeleen Sapsi, Joshua Komet, Benjamin WillieDaniel (Joseph Paul) wishes to take the next major step with Maria (Nellie Seta), but first he has to speak to Maria’s father (Joshua Komet).The ending was predictable right from the beginning as it leaned too much into tropes yet remained underdeveloped. Maria and Daniel are characters in a classic, Class Difference Romance of ‘rich guy, poor girl’, where the poor girl eventually ends up in a relationship with the rich male lead in spite of love rivals and family disapproval. Daniel’s career virtually remains unknown while Maria’s character is well-established right from the beginning. This imbalance limits the depth of their relationship and makes the narrative feel one-sided.The musical score often felt overly dramatic rather than supportive of the story's emotional moments. At times, the soundtrack overshadowed key scenes instead of enhancing them. This is particularly evident when Daniel approaches Maria's father for a conversation. The music abruptly shifts from a dark, suspenseful tone to an overly sentimental piece. Such transitions feel inharmonious and detract from the scene's emotional impact. Furthermore, the soundtrack was frequently mixed at a volume that competed with the dialogue, making conversations less clear and reducing the effectiveness of important character interactions.One of the episode's standout features is its closing credits sequence. Rather than relying on a simple scene cut, the filmmakers employ a gradual fade-in followed by a fade-out as the credits roll. This editing choice creates a smoother transition, complementing the film's overall atmosphere. The subtle effect leaves viewers with a polished and satisfying final impression.Final Verdict:While the series delivers moments of strong performances, it struggles with uneven character development, predictable plotlines, and inconsistent emotional delivery. Musical score occasionally distracts rather than enhances. Nevertheless, thoughtful touches, such as the closing credits’ fade-in/fade-out sequence, demonstrate the filmmakers’ attention to atmosphere and style, offering glimpses of polish amidst narrative shortcomings.Episode 12: ★★★☆☆ (3/5)Overall:A drama with compelling individual performances but hampered by uneven storytelling and predictable tropes.

The International Education Agency of Papua New Guinea (IEA PNG) is celebrating 50 years of shaping the nation’s education landscape, with Chief Executive Officer Neal Mather commending the organization’s commitment to student development, teacher professional growth, and technological innovation.Formed in 1976, shortly after Papua New Guinea gained independence, IEA PNG was established to take over the operations of Australian schools in the country, transforming them into a sustainable, fee-paying, not-for-profit system.“All of the money that parents pay goes directly into services and stays within the organization.”The 50th anniversary celebrations began with a professional development conference in Port Moresby, bringing together teachers from all IEA schools for a five-day program focused on digital learning and curriculum innovation.Experts from outside Papua New Guinea were invited to guide educators on the responsible use of artificial intelligence in classrooms.“AI can assist teachers with lesson preparation and information gathering, but we need to ensure students use it wisely and authentically.”“We are teaching them to discriminate between reliable and unreliable information and to produce their own work.”Mather stressed the importance of student safety and digital etiquette.“Parents can be assured that students operate in a secure, controlled environment, learning not only the technology but the social responsibility that comes with it.”“We also educate on the safe and appropriate use of social media.”In addition to technology, the conference emphasized curriculum alignment and core values.When asked what makes IEA schools stand out from other international and private schools, Mather explained that the agency has contributed significantly to Papua New Guinea’s development since independence.“We've had thousands and thousands of students who are successful and contributed to PNG in fields of business, politics, law, medicine and aviation.” “Internationally, many of our former IEA students are successful in their home countries or they've moved on to other countries so they can demonstrate the skills and the expertise that they learned in the IEA system.”As the agency continues its 50th-year celebrations, Mather extended an invitation to parents considering enrolment.“We encourage everyone to explore our schools and see the opportunities we provide.”“Sustainability and investment in our teachers are key to ensuring IEA PNG remains a leading educational institution for another 50 years.”IEA PNG’s curriculum, established in 1995, integrates the best practices from international systems, including Australia, New Zealand, Canada, the UK, and the International Baccalaureate.The school also prepares students for both national and international examinations, ensuring readiness for further education in Papua New Guinea and abroad.Additionally, IEA operates 18 schools across the country, serving more than 5,500 students from early childhood to vocational TAFE programs.

Rugby league fans have a new reason to celebrate as the Papua New Guinea Rugby Football League (PNGRFL) and Coca-Cola Europacific Partners PNG launch a nationwide campaign aimed at bringing the game closer to communities.From collectible player-themed cans to grassroots engagement and support for youth development, the four-month initiative is designed to strengthen the connection between the country’s most popular sport and its passionate supporters.Here are five things you need to know about the campaign.1. A Nationwide Campaign That Reaches EveryonePNGRFL teamed up with Coca-Cola Europacific Partners PNG for a four-month campaign bringing rugby league closer to communities across Papua New Guinea- including the most remote areas were watching footy on TV is not always possible.2. Collectible Rugby League CansFans can collect Coca-Cola cans featuring their favourite rugby league players. These limited-edition cans aren’t just fun collectibles- they can double as souvenirs that celebrate PNG’s beloved sport.3. Building Communities Through SportAccording to PNGRFL Chief Executive Officer (CEO) Stanley Hondina, rugby league is more than a game. The campaign is designed to connect communities, promote positive values, and support the development of young people across the country.4. Perfect Timing for Finals SeasonThe four-month campaign aligns with the Digicel ExxonMobil Cup finals and grand final in September, giving fans a chance to celebrate the sport during one of the most exciting periods of the rugby league calendar.5. A Partnership for the Long TermMr. Hondina praised Coca-Cola as a long-standing partner that goes beyond sponsorship, helping PNGRFL promote rugby league across the country. Both organizations are committed to extending the partnership in future seasons.

Creator: Liklik Media Release Date(s): Friday June 5th, 2026; Sunday June 7th, 2026Episodes Reviewed: Episode 10 & Episode 11Cast: Nellie Seta, Joseph Paul, Angeleen Sapsi, Carlos Zeng, Joshua KometEPISODE 10: THE TRUTH COMES OUTMaria’s father (Joshua Komet) threatens to disown her after discovering his daughter at Daniel’s (Joseph Paul) residence. Rumors of the alleged affair spread among Daniel’s coworkers, forcing him to seek out the truth.Episode 10 also uses plot convenience to further the story. This is demonstrated when Daniel leaks footage of Jessica’s schemes online instead of reporting to the police. Realistically, Daniel could face legal issues especially if the footage was released without consent. Additionally, with him being the beneficiary to a reputable company, criticisms from both employers and the public would be evident.The series suffers from an underdeveloped love rival. Despite his initial introduction in Episode 4, Carlos Zheng’s character, Blaise, remains an unconvincing competitor for Maria’s affections. Limited screen time and minimal interaction with the female lead render the love triangle forced rather than organic. Blaise often feels more like a protective brother than a romantic contender, and a potential confession to Maria in later episodes could come across as awkward.In contrast, Joshua Komet delivers an outstanding performance as Maria’s father. His dialogue in Tok Pisin resonates deeply with Papua New Guinean audiences, providing cultural and emotional connection. In addition to his delivery, his performance is grounded and authentic.EPISODE 11: CONFESSIONSJessica (Angeleen Sapsi) comes clean of her intentions behind sabotaging Maria (Nellie Seta) and Daniel’s (Joseph Paul) relationship.Daniel’s company is underwritten throughout the series, with its interest in acquiring land for commercial housing development only becoming clear in this episode. The ‘corporation’ remains like a myth – a business without a name, a license and a reputation. The reveal feels unearned due to the lack of buildup. There was an opportunity to present the corporation as a powerful antagonist given that land ownership is a serious topic in the country.Joseph Paul’s delivery of emotionally charged dialogue falls short. In the confrontation between his character and Angeleen Sapsi’s, Sapsi’s acting outshines Paul’s making her performance more memorable than his. Similarly, when confessing his true feelings to Maria, Paul’s delivery lacks nuance and emotional depth, coming across as awkward and unconvincing. These moments weaken the significance of his character and make his performance less gripping.Final Verdict:Episode 10 and 11 delivers strong supporting performances, particularly from Joshua Komet and Angeleen Sapsi, and uses Tok Pisin to connect with local audiences. However, underdeveloped characters, plot conveniences, alongside a poorly established corporate antagonist weaken the story. Love triangles and key reveals arrive too late, and some lead performances lack emotional depth.Episode 10: ★★★☆☆ (3/5)Episode 11: ★★★☆☆ (3/5)Overall:The drama is engaging but uneven, offering promise that is not fully realized.

NCD Governor Powes Parkop has emphasized the urgent need for climate action and environmental stewardship during the World Environment Day event held yesterday at Independence Boulevard in Port Moresby.Addressing a gathering of students, community leaders, and dignitaries, Governor Parkop emphasized the pressures facing Papua New Guinea’s natural environment, including deforestation, species endangerment, and marine biodiversity loss. He warned that without immediate action, both terrestrial and marine ecosystems could face irreversible damage, threatening life on earth. “The environment needs us, needs us to take action.” “Our forests, our coral reefs, our bees, all contribute to sustaining life. If they disappear, life as we know it cannot exist.” Governor Parkop underscored the significance of Papua New Guinea’s tropical rainforests, which host up to 10% of global biodiversity, and stressed the country’s role as a custodian of the Coral Sea Triangle, a critical marine ecosystem that provides 50–80% of the oxygen humans breathe. He also mentioned PNG’s status as a carbon-neutral nation – a country that does not emit much pollution; and called for continued efforts to maintain this position. During the event, Governor Parkop announced practical initiatives for environmental protection, including tree planting campaigns in Port Moresby and ecological waste management projects, such as recycling plastics and converting waste to energy. He encouraged young people to actively participate, promising scholarships for future botanists, entomologists, and marine biologists. “We are stewards of the environment.” “These resources are not ours to exploit; they belong to future generations. Let us care for them so they will continue to sustain life, both now and for those who come after us.”

NCD Governor Powes Parkop has announced new scholarship opportunities for Papua New Guinean students pursuing careers in environmental science.Speaking at the World Environment Day celebrations at Independence Boulevard in Port Moresby on Friday 5th, June 2026, Governor Parkop revealed that the NCD will offer six scholarships next year in key environmental fields. The scholarships will include two places for marine biology students, two for botany students, and two for entomology students, supporting the development of future specialists in marine ecosystems, plant sciences and insect studies. He stressed the importance of scientific research and expertise in protecting Papua New Guinea's rich biodiversity, noting that insects, plants and marine life play critical roles in sustaining ecosystems and supporting life. Additionally, he urged young people to not lose sight of the importance of the natural environment while living in the modern age. “We are now increasingly integrating into the global capitalist economy, cash economy, consequentially resulting, in an attitude or practice of money.” “Cash is seen as more important than the environment, and in the process, we are harvesting much of the natural environment.” “Of course, we need money to provide services and bring development, but we must have balance.” The scholarship announcement was made during the city's World Environment Day observance, where Governor Parkop urged greater action to address climate change, biodiversity loss and environmental degradation. He said Papua New Guinea's vast rainforests, rich biodiversity and globally significant marine ecosystems placed a special responsibility on the country to lead conservation efforts while ensuring sustainable development.

Creator: Liklik Media Release Date: Wednesday June 3rd, 2026 Cast: Nellie Seta, Joseph Paul, Angeleen Sapsi Jessica (Angeleen Sapsi) drugs Maria (Nellie Seta) putting her in a risky situation. Daniel (Joseph Paul) tries to help, but misunderstanding arises when Maria’s father finds his daughter at Daniel’s residence. Episode 9 leans heavily on plot convenience to further the story. This is evident when Daniel, who has been shown as heavily intoxicated, suddenly sobers enough to carry a passed-out Maria to his room. In addition, Jessica conveniently obtains the key card to Daniel’s residence and hands it over to Maria’s father, and the absurdity of vendors selling coconuts on hotel premises strains credibility. Together, these contrivances make the episode feel disjointed and undermine its overall realism. The casting of father and daughter lacks verisimilitude, making their relationship less convincing. Establishing a character’s ethnic background is of utmost importance especially for a diverse location such as Papua New Guinea. Joshua Komet as Maria’s father is not an ideal choice given that the characters do not resemble each other. Additionally, Maria’s father appears too young to be cast as a father for an adult woman. Unless a logical explanation is provided in the script, this remains an unconvincing casting. On the other hand, responsible depiction of an intimate and risky scenario was handled with grace. Though the scene could have easily become uncomfortable, it is managed with care and sensitive framing showing Daniel as protecting Maria rather than exploiting her. This results in each shot respecting the characters’ dignity. Final Verdict: Episode 9 has casting errors and relies too much on plot convenience. However, risky scenes were filmed responsibly.  ★★★☆☆ (3/5) Despite its narrative shortcomings, the episode's responsible treatment of difficult situations helps preserve its sincerity.

The Minister for Health Elias Kapavore was pressed for an answer regarding the plight of mothers at Port Moresby General Hospital at parliament this week during question time.This was after a media report from ABC News circulated on social media showing mothers giving birth on hospital floors, which caused outrage towards the government. The inquiry was brought up by Member for Okapa, Saki Soloma, who asked Minister Kapavore to clarify what specific issues are being faced by the country’s health system resulting in such a predicament in the Port Moresby General Hospital. Minister Kapavore insisted that his department was aware of such an issue and chastised overseas media for exposing patients’ identity. “It is not right for foreign media to intrude upon local hospital and expose patients as it infringes on patient rights.” Minister Kapavore continued explaining that NCD’s private care health systems were not in the best condition. “Port Moresby General Hospital is a Level 6 Specialist Hospital not a Level 1 Private Care Hospital.” “Mothers should not be going to Port Moresby General Hospital constantly to give birth; they should be going to Level 1 hospitals.” “But currently we do not have those facilities.” He gave examples which included Gerehu Hospital, undergoing major renovations to expand its inpatient bed capacity. Kilakila sub-district hospital is also anther which is still under construction, and the Metoreia Urban Health Centre which recently opened its maternity ward. He appealed to mothers to avoid putting too much pressure on PMGH by visiting other available health facilities that provide maternity and delivery services. “Port Moresby General Hospital needs to focus on developing its specialist services.”

Creator: Liklik MediaRelease Date(s): Friday May 29th, 2026; Sunday May 31st, 2026 Episodes Reviewed: Episode 7 & Episode 8 Cast: Nellie Seta, Joseph Paul, Angeleen Sapsi, Carlos Zeng, Matthew Alaima EPISODE 7: BLAISE STEPS IN Misunderstanding circulates among community members. Now they’re demanding answers from Maria (Nellie Seta). Although Blaise (Carlos Zheng) is the focus of this episode, he does not get much screen-time. Blaise gets approximately eight seconds of screen exposure not including the teaser. Frankly, this episode should be named, ‘Caught in the Middle’, since much of the plot revolves around Maria being questioned about her and Daniel’s relationship as well as the company’s purpose in attempting to purchase land. Close up shots of actors’ reactions need to be utilized. EPISODE 8: JESSICA FINALLY CROSSED THE LINE Maria (Nellie Seta) goes to a nightclub where Daniel (Joseph Paul) and his associates including Jessica (Angeleen Sapsi) are having a party. Maria’s scene action in this episode is inappropriate to the setting. There was no smooth transition from her being considered an outcast to suddenly attending a corporate night out event (Was she invited?). Secondly, Maria's business of carrying coconuts into a nightclub feels out of place and somewhat tacky. Overall, the scene feels disjointed because Maria’s inclusion in the company night out is sudden and her choice to bring coconuts clashes with the nightclub setting, leaving the moment feeling tonally inconsistent. Swaying camera movement in this scene was an excellent choice as it enhances the drunken atmosphere of the club. Final Verdict: Episode 7 does not build on the rivalry between Daniel and Blaise. Meanwhile, in episode 8, Maria’s stage business is unfitting. Episode 7: ★★☆☆☆ (2/5) Episode 8: ★★☆☆☆ (2/5) Overall: Common sense must prevail when it comes to setting scene action and building the plot.

The National Government and Enga Provincial Government have strengthened their commitment to preserving Papua New Guinea’s cultural heritage through the signing of a Memorandum of Understanding (MOU) to support cultural development in Enga Province.Minister for Tourism, Arts and Culture Belden Namah praised Enga for maintaining its cultural centre since before Independence, describing the province as a national leader in cultural preservation. Speaking during the signing ceremony, Mr. Namah commended Governor Peter Ipatas for his leadership over the past three decades, saying Enga remains the only province to have continuously maintained its cultural centre while hosting annual cultural shows despite challenges such as tribal conflicts. He announced government support of K750,000 for Enga, including K500,000 for the annual Enga Cultural Show and K250,000 for the maintenance and development of the Enga Cultural Centre. Mr Namah said the MOU would strengthen collaboration between the National Cultural Commission (NCC) and the Enga Provincial Government to support cultural research, heritage documentation and cultural promotion programs. Governor Peter Ipatas welcomed the partnership and thanked the minister for delivering on his funding commitment. He said preserving Enga’s culture has been a long-standing priority for the provincial government, noting that the province has expanded its cultural centre to include a museum aimed at preserving traditions and history for future generations. Governor Ipatas also stressed the importance of maintaining authentic cultural practices, saying the Enga Cultural Show remains unique by showcasing traditional customs without incorporating modern or western influences. He said tourism has significant potential to contribute to Papua New Guinea’s economy but stresses the need to address law and order issues to attract more visitors. The governor added that Enga has been investing in tourism infrastructure, including supporting small accommodation providers, in preparation for future growth in the sector.

Director: Nathan GrenoCast: Michael B. Jordan, Juno Temple, Tracy Morgan Rating: PG | Genre(s): Comedy, Adventure, Fantasy, Family | Run Time: 1hr 42mins HEARTWARMING ANIMATION WITH A REGURGITATED PLOT “Curiosity comes with consequences.” Ollie (Michael B. Jordan), a curious Pookoo and Ivy (Juno Temple), a Javan accidently transform into each other’s species and must now find a way to change back. Swapped is a reflection of society at its core – a network of interaction that involves risk. Themes of courage, resilience, friendship and betrayal are portrayed but Swapped raises the stakes by incorporating the laws of the animal kingdom – of predator and prey. The storyline is straightforward yet amazingly complex as it entwines the ambitions of each character into one journey. What makes Swapped stand out, is its portrayal of civilization through the lenses of both a child and an adult. A younger audience may enjoy the innocence in Ollie striking a friendship with Ivy and relate to his curiosity and adventurous spirit, whereas grown-ups recognize the consequences Ollie faces that come with being part of interacting with a flawed community. Because of this, Swapped works simultaneously: as an adventurous story for children and as a thoughtful commentary for adults. Michael B. Jordan delivers a strong performance as Ollie, further proving his versatility beyond live-action roles and into animation. However, his voice sometimes feels a bit too mature for the character, which slightly affects the overall believability of the role. The film’s use of colour is also effective in shaping the mood. Bright, vibrant tones are used to create a cheerful and playful atmosphere, while darker shades dominate during the villain’s invasion, heightening the sense of danger. Final Verdict: Swapped is a charming and entertaining animated film that revisits the familiar body-swap formula but does so with heart and humour. While the storyline feels somewhat predictable, its message about friendship and resilience appeals to all ages. ★★★★☆ (4/5) A light, enjoyable story for kids, with just enough depth to offer thoughtful moments for adults.

Creator: Liklik Media Release Date: Wednesday May 27th, 2026 Cast: Nellie Seta, Joseph Paul, Angeleen Sapsi Conflict stirs among Maria’s community as rumors of Daniel’s work threaten to destroy their livelihood. The characters delivered a mix of performances. Nellie Seta’s acting was noticeably more emotionally charged compared to previous episodes, driven by unfolding conflict. In contrast, Angeleen Sapsi, appears to really enjoy playing the devious Jessica. She displays confidence in her cruelty, turning menace into performance art. Meanwhile, the supporting characters’, appeared flat and disengaged; their dialogue felt stiff, as if recited from memory rather than lived in the moment. The dialogue felt stiff, like memorized recitation. Despite some compelling performances, particularly from Angeleen Sapsi, the inconsistent acting among the supporting cast weakened the overall impact of the episode. Regarding camerawork, every episode suffered from the same recurring issue; awkward camera placement that made the production feel amateurish. The storyline is missing key details, leaving critical questions unanswered. Daniel’s occupation remains unclear, as does Jessica’s professional connection to him. We do not learn the name of Daniel’s company or what it does. While Maria’s character and struggles are well established, Daniel’s role as an heir to a company is underdeveloped, making it difficult to fully understand his motivations or the stakes of the conflict. Final Verdict: Main character’s background is underexplored. ★☆☆☆☆ (1/5) More development on Daniel and Jessica is needed.